Chapter 4
Sunday at the Don's
Kirill doesn't mention last night's texts at breakfast.
Neither do you. But when you come down the iron stairs, there's a mug of coffee already on the steel island at your spot, with exactly the right amount of milk in it. You didn't tell him how you take it. You must have mentioned it somewhere in all that typing in the dark, between the jokes and the things that weren't jokes.
He's reading on his phone. He doesn't look up.
"Thank you," you say.
"For what?"
You lift the mug. His eyes flick to it and away.
"Bogdan made it," he lies, and Bogdan, at the other end of the island, turns a page of his newspaper with enormous dignity and says nothing at all.
So much for the one rule.
"Wear the gray suit," Kirill adds. "We're having dinner with my father."
You choke on the coffee.
Pavel Sokolov's house sits at the end of a long gravel drive in Huntingdon Valley, behind a stone wall and a row of old oaks going gold. It's beautiful in a hard, quiet way. No gilt. No chandeliers. Just stone and dark wood and silence so deep you can hear the clock in the hall.
"Rules," Kirill says in the car, as Bogdan pulls up. His voice is low and fast. "You're a consultant. You're helping me restructure the logistics accounts for the bank loan. You don't mention Oskar, Amber Coast, or the number fourteen."
"Does your father know why I'm really here?"
"My father knows everything." A pause. "Almost."
There it is again. Almost.
"Kirill. If there's something I should know before I walk in there..."
He looks at you then. Really looks, his pale eyes searching your face for something. Whatever he finds, he shuts himself back up.
"Smile," he says. "Not too much. He doesn't trust people who smile too much."
The dining room is long and lit with candles. Pavel sits at the head of the table.
He's in his sixties, silver-haired and broad-shouldered, with a face carved from the same stone as his house. You can see where Kirill got his height and his bones; age has made the father look like a monument to the son. When you're introduced, Pavel shakes your hand once, firmly, and studies you for three seconds with eyes that are dark instead of pale.
"The consultant," he says. That's all.
His brother is the opposite.
"Finally! A new face!" Lev Sokolov comes around the table with both arms out, a silver-haired, laughing man in a beautiful camel sweater, handsome in the easy way of men who've always known it. He claps you on both shoulders. "Kirill never brings anyone. I was starting to think he kept his friends in a freezer."
"Lev," Pavel says.
"I'm joking, Pasha, I'm joking." Lev winks at you. "Sit by me. I'll tell you every embarrassing story about this one. He cried at The Lion King until he was fourteen."
"Twelve," Kirill says, sitting down.
"Fourteen."
And then the third guest arrives.
She glides in late, apologizing in soft Russian, and the whole room rearranges itself around her. Blonde hair in a low knot, a pale blue dress, skin that looks lit from inside. She kisses Pavel's cheek, then Lev's, then goes to Kirill and kisses him, lightly, on the corner of the mouth.
"Polina Zhukova," Lev tells you, beaming. "Our Kirill's intended. The wedding will be next fall. You'll come, of course."
You smile. You smile so hard your face hurts.
Across the table, Kirill is cutting his lamb into very precise pieces and not looking at anyone.
My father doesn't know everything about me.
Oh.
It lands in your chest like a dropped plate. The texts last night, the almost-confession in the kitchen, the way his hand stayed in yours. The way his sister said never once brought a man home and watched his face. You think you've understood it. You think you understand it now.
Kirill Sokolov is engaged to a woman who looks like a perfume ad, at his father's table, and he can't even look up from his plate.
Polina sits beside him and puts her hand over his on the tablecloth. It's a lovely gesture. It looks practiced.
"So," Lev says cheerfully, refilling your wine with his left hand. "Tell me about yourself, Ethan. Where did my nephew find you?"
Dinner lasts two hours. You survive it on charm and terror.
You talk about Temple. You talk about your mom's school bus routes. You learn that Lev has been widowed twelve years, that he grows tomatoes, that he remembers your birthday is in March after you mention it once. You watch Pavel say perhaps forty words in two hours, every one of them final. You watch Kirill go quieter and quieter.
After dessert, Lev slips an arm through yours.
"Come. I'll show you the garden. These two will talk business and bore you to death."
The garden is cold and dark, all stone paths and bare rose canes wrapped in burlap. Lev walks slowly, hands in his pockets.
"Irina planted all of this," he says. "Kirill's mother. She died eight years ago. Pasha won't let anyone touch it." He sighs. "He hasn't been the same. Neither has Kirill. That boy carries too much. Always has."
"He seems to carry it pretty well."
"That's the problem. He's too good at it." Lev stops and looks at you, and his face is kind, crinkled, sincere. "I don't know what you're really doing for him. I don't need to know. But if you're good with numbers, and you're good to him, help him. Please. He won't ask. Sokolovs never ask."
You don't know what to say. "I'll try."
"That's all any of us can do." He pats your arm. "Now go inside before you freeze. Pavel wants a word."
Pavel is alone in his study, standing at the window with his hands behind his back.
You hover in the doorway. "Mr. Sokolov?"
"Close the door."
You close it.
He doesn't turn around. The window shows you his reflection, and yours behind it, small.
"I told my son to make you disappear," he says. "He chose not to. My son doesn't often disobey me."
Your heart is beating so hard it hurts. "I'm grateful."
"Don't be grateful. Be careful." Now he turns. His dark eyes are tired and very sharp. "Kirill trusts almost no one. He has been alone a long time, by choice. Now he brings you into his house." A pause, heavy as a gavel. "I don't know what you are to him, Ethan. But I know my son."
You can't breathe.
Pavel Sokolov takes one step closer.
"If you betray him, I won't kill you," he says quietly. "I'll let him."
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