Chapter 3
Three Years
Royston took the invoices.
He didn't snatch them. He held out his hand, palm up, the way you'd ask a child for a pair of scissors, and you looked at him for a long second and then gave them to him, because you were already thinking three moves ahead and none of those moves involved a fistfight next to a boiler.
"Good man," he said, and folded them into his jacket. "Data entry errors happen. I'll have the vendor file cleaned up. You worry about fonts."
That night you logged into the payables system from the cottage, on your old laptop, while Elise slept with one arm flung over your pillow.
Your login had been locked. Password reset by administrator.
You sat in the dark for a long time.
Wednesday is your anniversary.
You wake to the smell of pancakes and the sound of Elise singing badly in the kitchen, something from the radio with the words wrong. She brings them to bed on a tray: blueberry, stacked crooked, a candle stuck in the top one like it's a birthday.
"Three years," she says, climbing back in beside you. Her hair is loose and wild from sleep, and she's wearing your old Dayton sweatshirt with the cuffs rolled four times. "Make a wish."
You look at her. Freckles, bare feet, syrup on her thumb. You wish, very specifically, that the next thing you tell her doesn't break this.
You blow out the candle.
"What'd you wish for?"
"More pancakes."
"Liar." She feeds you a forkful. "I have a present for you. Tonight. After."
"After what?"
Her face does something complicated. "After dinner at the house."
"On our anniversary?"
"Mom says it's an emergency family dinner about the Ardent Vale pitch." Elise picks a blueberry off the stack and doesn't eat it. "She says she didn't realize what the date was. She says it as if calendars are a rumor."
"It's fine."
"It isn't fine." She sets the fork down. "But we'll go, and we'll eat, and we'll leave early, and then I'm giving you your present, and then I'm not letting you out of this bed until Friday."
"I have work tomorrow."
"I'm the boss's daughter." She grins against your mouth. "I'll write you a note."
The dining room is lit like a stage. The good candles. Hothouse roses in silver bowls. Benedita has made the duck, which she only makes when Georgiana wants to impress someone.
The someone is Damon Sorell.
He's in your wife's usual chair. Not your chair; yours is still by the kitchen door, as unalterable as gravity. But Elise's place, the one beside yours, has been moved up the table, and a card in Georgiana's elegant hand reads Elise, between Damon and her father.
You stop in the doorway. Elise stops beside you.
"Oh, darling, sit, sit," Georgiana says. "I thought it'd be nice for you and Damon to catch up. You haven't really talked since the Sedgwick wedding."
"We talked at the Sedgwick wedding," Elise says. "He asked if I was still with 'the bookkeeper.' I said yes. That was the whole conversation."
Damon laughs easily, as if this is charming. He's very good-looking up close, dark-haired, gold watch, a smile that's been told it's a weapon. "I've been told I'm a slow learner."
Elise looks at the place card. Then she picks it up, walks it down the length of the table, and sets it beside your chair at the cozy end. Then she walks back, picks up her water glass, her napkin, her bread plate, and carries them down too, one trip at a time, while the whole table watches.
Royston laughs. "Jesus, Elise. Romeo and Juliet in the cheap seats."
"Sit down, Royston," Adelaide says mildly from the middle of the table. It's the first thing you've heard her say to him in a year. He sits.
You pull out your wife's chair for her. She sits. Under the table, her hand finds your knee and holds on like it's a railing.
"Happy anniversary," you murmur.
"Don't," she murmurs back. "If you're nice to me right now I'll cry into the duck."
The duck is excellent. Benedita serves you last, as instructed, but your portion is the biggest on the table, and she doesn't look at you when she sets it down, which is how you know she did it on purpose.
"Thank you, Benedita."
"You're welcome, Ethan," she says, and goes back through the door, which kisses your shoulder.
At the top of the table, the conversation is all next Thursday. Royston walks them through his deck. Bertram asks about cash flow in a voice that suggests he already knows the answer. Arabella has opinions about the brand story. Damon offers to "make a call or two" in a tone that suggests he owns the phones.
Georgiana waits until the plates are cleared.
Then she rises, takes a cream envelope from the sideboard, and walks the length of the table, a perfect reverse of what Elise did on Sunday. She sets the envelope beside your dessert fork.
"I want to be practical," she says, sitting back down. Her voice is soft. Reasonable. Lethal. "Ardent Vale will look at everything. The finances, the brand, the family. Investors buy people. When they come to this house, they will want to see a family that looks like it belongs to eighty million dollars." She folds her hands. "So I had Pembury draw these up. It's very simple. No-fault. A generous settlement. Nobody needs to be unkind about it."
You don't have to open the envelope. Through the paper you can see the shape of the words. Petition for Dissolution of Marriage.
Nobody at the table speaks. Not Bertram, staring at his wine. Not Arabella, whose mouth has fallen slightly open. Not Royston, who looks like Christmas came early. Not Damon, who is looking, very carefully, at Elise.
Adelaide sets her water glass down with a small, precise click.
Elise's hand leaves your knee.
She stands up. Her face is white and completely calm, which you've learned is the most dangerous weather she has.
"Excuse me," she says. "I need the powder room."
She walks out. Her footsteps go down the hall, unhurried. A door closes and a lock turns.
Georgiana smiles at you across eleven feet of mahogany. "Take your time, Ethan. Read it carefully."
You don't touch the envelope.
In your jacket pocket, your phone buzzes once against your ribs. Then again. Then a third time.
You slide it out under the edge of the tablecloth, where nobody can see.
status check from the powder room.
Your love interest is about to text you.
Start free to answer at the cliffhanger. Your replies change what happens next, and your name goes into the story.
Characters are AI-generated and fictional. 18+ only.