Chapter 2
Clause Four
You make it through the next four hours on muscle memory.
Room keys to the equipment staff. A dietary sheet for the team chef that runs to nine pages. A meeting room reset because the offensive coordinator wants the projector on the other wall. You smile. You say absolutely. You do not look at the elevators to the 31st floor, and you do not think about Stanton Dryden's smile.
At 8:15 you cut through the service corridor under the banquet kitchen, because it's the fastest way to your office and because nobody from the front of the house ever goes down there. Concrete floor, humming fluorescent lights, the smell of bleach and bread from the bakery ovens. Rolling racks of chafing dishes. A dented ice machine that sounds like it's grinding its teeth.
"You still walk fast when you're scared."
You stop.
He's leaning against the wall by the ice machine, hood down now, cap in his hand. Under the fluorescent light he looks less like a billboard and more like the boy from the Blue Heron, if the boy had grown up and gotten very tired. The gold in his eyes catches the light. Somebody has clearly told him where the staff go, or he followed you, and either way he's here, six-foot-three of him, blocking the way to your office.
"This area is for staff," you say. Your voice comes out in your hotel voice, the one you use on drunk bachelor parties. "I can have someone take you back upstairs, Mr. Covington."
"Mr. Covington." He laughs, once, and it isn't a laugh. "Six years. No note. No call. I came home from the draft with—" He stops himself. "Your apartment was empty. Your number was dead. Your manager at the Heron said you quit by text. Your aunt's number, the old one, disconnected. I thought you were dead, Ava. For a month I thought you were in a ditch somewhere."
You stare at him.
He's good. You'd forgotten how good. He was always the calmest man in any room, and right now his voice is shaking, and you almost believe it. Almost.
"Don't," you say.
"Don't what?"
"Don't do this. Not down here, not to me. I got your message, Jalen." Your throat burns. "I cashed your check."
The silence stretches long enough for the ice machine to drop a load of cubes with a crash.
He doesn't move. He looks at you the way you'd look at someone who just answered you in Portuguese. His brows pull together. His mouth opens.
"What check?"
"Oh, come on."
"What message? Ava, what check?"
The door at the far end of the corridor bangs open. "J!" A lean shape in an Ironhawks track jacket, gold chain swinging: Tavion Akinyemi, out of breath. "Bro, Coach is about to have a stroke. Team meeting started five minutes ago, you're the team, let's go." Then he sees you, and his eyebrows climb into his hairline. "Oh. Oh, no. Is that—"
"Not now, Tav."
"Yeah. No. Not now. Got it." Tavion grabs his arm. "Ma'am. Lovely hotel. Huge fan of the bread smell."
Jalen lets himself be pulled two steps. Then he turns back, walking backward, eyes locked on you.
"This isn't done."
"It was done six years ago," you say.
The door swings shut behind them. You stand alone under the humming light and press your palm flat against your stomach, where a long time ago there was a secret the size of a lemon seed.
What check.
He's good. That's all. He was always good.
Aunt Mena's house sits at the end of Quail Run Court in Henderson, a single-story stucco ranch with a lemon tree out front and a garage so full of quilting fabric that the car hasn't been inside it since 2019. The porch light is on. It's always on.
Mena is at the kitchen table in her reading glasses with the beaded chain, a cup of decaf and a half-finished star quilt spread over the table like a map.
"Well," she says, looking at your face. "That's a face."
"Is he asleep?"
"Out like a light. Fought it for an hour, though. Made me watch the arrival coverage three times." She pulls off her glasses. "Your hotel, baby. They showed your hotel on the TV. All those buses under that gold thing."
"The canopy."
"The canopy." She studies you the way she studied the dealers at the Golden Nugget for twenty-two years, back when she served cocktails and knew every tell in the building. "He saw you."
You sit down hard. "Dryden was with him."
Mena's whole face changes. Your aunt is sixty-one, silver bob, a laugh like a car horn, and the only person on earth who knows everything. She took you in when you showed up at her door at twenty-two with one suitcase and a check, and she has never said I told you not to sign that, though she did tell you. Twice.
"That man," she says, "should be fed to something."
"He knew I was there. Mena, the team was supposed to be at the Monarch Grand. They moved last night. He knew."
"Then he wants something." She covers your hand. "And you don't have to give it to him."
You go down the hall. Jude's door is open a crack. He's sprawled sideways across the bed in his dinosaur pajamas, one arm hooked around the foam football, mouth open, a poster of a man in copper and black on the wall above him, arm cocked to throw.
You don't go in. You stand in the doorway and listen to him breathe.
In your own room, on the closet shelf, behind the winter sweaters you never need in Nevada, there's a shoebox. You know exactly what's in it. You don't take it down. You haven't taken it down in a year.
What check.
You go back to the kitchen for water. Mena has gone to bed. The house ticks and settles. Through the window over the sink the lemon tree is a dark shape against the streetlight.
That's when you see it.
A white envelope on the tile inside the front door, as if someone slid it under while you were in the hallway. No stamp. No address. Just your name in neat black ink.
Inside is a single photocopied page. You know it before you unfold it all the way. You'd know it in the dark. Page three of the agreement you signed at twenty-two at your little kitchen table in Mobile, with a man in a gray suit holding out the pen.
Clause four is highlighted in yellow.
Recipient agrees to make no contact with the Client, directly or indirectly, and to make no disclosure regarding any child, pregnancy or paternity. Breach shall result in repayment in full plus liquidated damages.
A sticky note is pressed beneath it, the handwriting slanted and elegant.
Six years of good behavior, sweetheart. Don't spoil it now. S.D.
Your love interest is about to text you.
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